[6], visualizations of Waag’s public stack and Raworth’s Donut Economy. In a recent Press statement, the European Commission’s President, Ursula von der Leyen, presented “The New European Bauhaus” movement. A world where we use digital technologies to build a healthier, greener society.”. This is even more the case in 2020. Trotz massiver Kritik wegen der Missachtung der Menschenrechte in der Türkei startet die EU einen neuen Dialog mit Ankara. The arts can indeed play a major role in ‘societal challenges’—as problem accelerator. Dafür schwebe ihr ein „neues europäisches Bauhaus“ in Anlehnung an die bekannte Weimarer Kunstschule vor. It understood the need for a new form of education, especially against the intrusion of authoritarian political movements. S&P Index data is the property of Chicago Mercantile Exchange Inc. and its licensors. In her inaugural State of the Union speech from September 16, 2020, she pledged to revive the historical Bauhaus – the experimental art school that married artistic form with functional design, founded a century ago in … What’s important is what difference prototypes of integral education and research initiatives can make today. FORTUNE is a trademark of Fortune Media IP Limited, registered in the U.S. and other countries. Hun vil gerne skabe en ny bevægelse, hvor der tænkes æstetik og kultur med ind i den grønne omstilling af vores bygningssektor, på samme måde som det oprindelige Bauhaus kombinerede form og funktionalitet. A vastly improved search engine helps you find the latest on companies, business leaders, and news more easily. So far so good. Gansing concludes that “because of the massification and neo-liberalization of art and design art could now be integrated as a ‘creative’ element into all subjects, while not itself being a subject of rigorous study. By Geert Lovink, first published by the Berlin magazine The Arts of the Working Class, here. Ursula von der Leyen ist Präsidentin der Europäischen Kommission. Von der Leyen stellt neues Europäisches Bauhaus vor EU-Kommissionspräsidentin von der Leyen stellte heute das neue europäische Bauhaus vor, das sie in ihrer Rede zur Lage der Union angekündigt hatte. “ The New European Bauhaus movement is intended to be a bridge between the world of science and technology and the world of art and culture … it is about a new European Green Deal aesthetic combining good design with sustainability.” — President of the European Commission Ursula Von der Leyen Use of this site constitutes acceptance of our Terms of Use and Privacy Policy | CA Notice at Collection and Privacy Notice | Do Not Sell My Personal Information | Ad Choices Instead, we should aim for a granular-scale repairing of a world that is broken in so many respects, all the while treating this reparative art and design as truly transformative. Paul Klee, Kandinsky, Anni Albers, László Moholy-Nagy, Iwao Yamawaki. For inspiration about the digital side of the story we could go back to the Swedish Digital Bauhaus Manifesto (1998), written by Pelle Ehn, then founder of the K3 art academy in Malmö. Mixtures of art, science, education and public policy can hardly be called German. By Geert Lovink, first published by the Berlin magazine The Arts of the Working Class, here. [3] Open letter to Ursula von der Leyen and Frans Timmermans, Objections to the term New European Bauhaus, https://janvaneyck.nl/site/assets/files/2899/letter_to_eu.pdf. [2] Here we see the digital and the analogue, the virtual and the real merging and colliding – overcoming old dualisms between material crafts and industrial abstractions. Das neue Europäische Bauhaus ist eine kreative interdisziplinäre Initiative, die einen Ort der Begegnung schaffen soll, wo an der Schnittstelle von Kunst, Kultur, sozialer Inklusion, Wissenschaft und Technologie künftige Lebensweisen gestaltet werden. However, the fact that Bauhaus 1.0 was “inherently not inclusive,” as an open letter of the Maastricht Jan van Eyk academy claims,[3] should not stop us. It will be a radical task for Europe to face Silicon Valley venture capital rhetoric as a major obstacle for change. Von der Leyen’s proposal for a Bauhaus that could work on ‘creative’ solutions for the climate crisis can be traced back to the German climate researcher John Schnellnhuber. ... Bauhaus enthusiasts might be disappointed to … A world served by an economy that cuts emissions, boosts competitiveness, reduces energy poverty, creates rewarding jobs and improves quality of life. This is why we will set up a New European Bauhaus—a co-creation space where architects, artists, students, engineers, designers work together to make that happen. All rights reserved. Ehn proposes to merge the hard with the soft – this time not through a modernist “solidified objectivity” but through a “sensuality in the design of meaningful interactive and virtual stories and environments.” Professor of the Copenhagen International Centre for Knowledge in the Arts and former Transmediale director Kristoffer Gansing remembers: “As a former student and employee of the K3 Malmö Digital Bauhaus I experienced both the best and worst sides of this model, which very much came out of a social-democratic and post-industrial vision of a future knowledge society. Bauhaus 1.0 emerged from a similar crisis-ridden Europe. [7] Criticality is something Europe should claim and be proud of. In her inaugural State of the Union speech from September 16, 2020, she pledged to revive the historical Bauhaus – the experimental art school that married artistic form with functional design, founded a century ago in Weimar, Germany. Kristoffer Gansing puts it this way: “What is needed of a Bauhaus in the context of extinction is primarily a reparative work. Jahrhundert schöner und humaner zu machen. Dark ecology, the critique of platform capitalism and the history of racism and colonialism will only be few of the many first year courses. In an interview in a German book on sustainability and universal basic income, Schnellnhuber talks about his Bauhaus idea and his hobby horse; wood architecture. K3 was also born out of the first wave of mass digital and network cultures, which it wanted to imbue with a human-centred, socially aware approach. Now it's been invoked again in an unexpected context. All Rights Reserved. It created a new engineering style of the world from an economic, technical, social and artistic point of view. [4] The author argues to bring together art and technology in a ‘third culture’. We should also extend this approach to the digital realm and apply ‘radical care’ methods to AI, blockchain and other ‘big data’ solutions. People should be able to feel, see and experience the European Green Deal. In einem Gastbeitrag für die „Frankfurter Allgemeine Sonntagszeitung“ verwies von der Leyen auf das Ziel, Europa bis 2050 zum „ersten klimaneutralen Kontinent“ zu machen. [5] Quotes from private email exchange, November 20, 2020. There are many EU affiliated research centres, but none of them comes close to the arts. Critique of modernism has been the task of the critical post-war 1968 generation. https://janvaneyck.nl/site/assets/files/2899/letter_to_eu.pdf, https://waag.org/en/project/public-stack-alternative-internet, https://www.merit.unu.edu/building-back-a-better-world-a-plea-for-a-bauhaus-initiative/, https://www.politico.eu/article/bauhaus-von-der-leyen-green-recycle/. The deconstruction of the Bauhaus 1.0 ethic and aesthetic should remain an important background for any project that proclaims itself a new Bauhaus. In taking a ‘building something better’ approach, the co-creation projects can be called Bauhaus (even though they are not based on Bauhaus architecture).” https://www.merit.unu.edu/building-back-a-better-world-a-plea-for-a-bauhaus-initiative/. “This is the Europeanization of a German development model,” Max Welch Guerra commented in Politico. How can art education become more relevant and cease to produce precarious artists, curators and critics? “I want NextGenerationEU to kickstart a European renovation wave and make our Union a leader in the circular economy,” von der Leyen said. in dialogue with users, understanding digital interactive technologies and storytelling as methodologies to achieve this, not far from what today is known as ‘design thinking’).”[5]. We urgently need the aesthetic equivalent of Kate Raworth’s donut economy and Marleen Stikker’s vision of the alternative internet, the public stack. The growing reluctance to employ facial recognition software is a brilliant example of this turn. By Geert Lovink, December 16, 2020 at 11:55 am. K3, for example, was part of a new university in a largely working-class city, and this reflected in the way subjects were taught, opening up to the digital realm.” So, before we start to roll of Greta Thunberg Art Schools, it might be good to reflect on how the avant-gardist élan of the countless art & technology ‘new media’ programs quickly made way for entrepreneurial web/app design courses that catered for Silicon Valley platforms—instead of creating alternatives themselves. Plans for the New European Bauhaus were revealed by European Commission president Ursula von der Leyen in 2020 during her inaugural State of the Union address to the European parliament. President von der Leyen's call to use the idea of the Bauhaus and bring everyone under one roof, whether physically or digitally, is exactly what is needed now. Gansing believes K3 allowed for a new form of trans-disciplinarity to emerge, that is now the standard template for all the creative industries style educational programs that emerged in the past period. DESSAU, Germany — Ursula von der Leyen wants Europe to tap into its inner avant-garde. It is productive force that invites us to reflect and bring in other voices. Das Fragen baut an einem Weg, ein Weg des Denkens.” Martin Heidegger The email interview below was conducted by Pablo Gámez Cersosimo for his upcoming book Depredadores Digitales: una historia de la [...], Download as PDF Samos Calling: refugees receive first phone credit Twenty African refugees living in the Vathy camp on the Greek island of Samos received €12,50 of phone credit from a new initiative named SAMOS CALLING. ), The Critical Makers Reader, (Un)Learning Technology, The Institute of Network Cultures, Amsterdam, 2019. Putting rhetoric aside, this is the first time the European Commission launches a proposal to set up a network of (five) art schools. Diumenge, 18 d'octubre de 2020. He founded the Potsdam Institute for Climate Research in 1992. We invite [...]. See how your state is doing, CA Notice at Collection and Privacy Notice, http://www.djindexes.com/mdsidx/html/tandc/indexestandcs.html. We need to put the powerful digital tools that we have to work, to solve the planetary challenges humanity is facing. To confront its mainstream institutions, that were ferociously trying to preserve themselves and dismiss such curious endeavours. Sin embargo, de materializarse el proyecto que apoya Von der Leyen será necesariamente distinta a la Bauhaus original en su concepción, pues se trata de una iniciativa que surge de arriba a abajo y no de abajo a arriba. Their staff also had to confront a traditionalist, conservative establishment born out of the values of ‘old Europe’. Every movement has its own look and feel. Caught between the geo-political forces of the US and China, this what a resourceful European initiative should take up. The master-apprentice approach has long been replaced by an open, networked, distributed form of learning. Von der Leyen made her new Bauhaus proposal amid remarks about a European Green Deal and a proposal for the European Union (EU) to reduce greenhouse gas emissions by … Get alerts on Climate change when a new story is published Get alerts Look at the artistic research done in the critical maker labs. In the late 1990s Malmö model the artist-designer was more of a mediator and producer than the creative genius of the Bauhaus generation. This movement is about bringing the European Green Deal closer to people's minds and homes, and making tangible the comfort and attractiveness … We live in the midst of the covid pandemic and the greatest economic recession since the 1930s afterall. Offers may be subject to change without notice. Kristoffer Gansing: “Maybe the new reboot of the Bauhaus can work to correct some of this, but I have serious doubts. In line with the pioneers a century ago, we need to stop building and create architectures (as the phrase said back then). The president of the European Commission Ursula von der Leyen has announced plans to create a "New European Bauhaus", embracing a circular economy and strengthening the EU’s actions for sustainability, environmental and social benefits in the architecture, urbanism, engineering, arts and design sector. Coming from a deeply federated Germany where culture and education is strictly considered a matter of the Länder (states), the European Bauhaus for the 21st century should be reworked and turned into a bold blueprint. Download as PDF Questions from Pablo Gámez Cersosimo “ Wir fragen nach der Technik und möchten dadurch eine freie Beziehung zu ihr vorbereiten. Con información de: EFE. She announced plans in her inaugural speech to the European Parliament on October 14 and Von der Leyen … What’s remarkable in von der Leyen’s New European Bauhaus, is that it goes beyond, yet is somehow related to the Brussels known research policy instruments such as STARTS but also Horizon Europe and Creative Europe. [1] If he would become minister, he would found a “Bauhaus of the Earth” based in Brandenburg. [9] And lest we forget: the staff of Bauhaus 1.0 was hardly German. Das Europäische Bauhaus sucht und gibt praktische Antworten auf die gesellschaftliche Frage, wie modernes Leben der Europäerinnen und Europäer im Einklang mit der Natur aussehen kann. The Bauhaus was created in Weimar, Germany, in 1919, and, despite moving two separate times and eventually falling to the rabid pressure of the Nazis in 1933, it … [8] The emphasis on a positive attitude runs away from very real conflicts in society that need to be faced before we can start to implement blueprints. And among the most famous — hence von der Leyen’s reference to it — was the original Bauhaus, which was founded in Weimar in 1919 and thrived for 14 years until the Nazis shut it down. The aim of Bauhaus 2.0 cannot be to create a handful of European billionaires and even further increase inequality. 14:06 Temps de lectura: 4 minuts [8] See Mieke Gerritzen & Geert Lovink, Made in China, Designed in California, Criticised in Europe, Design Manifesto, BIS Publishers, Amsterdam, 2020. The network of ‘rainbow houses’ can do a better job. And we need to give our systemic change its own distinct aesthetic—to match style with sustainability. [4] Pelle Ehn, Manifesto for a Digital Bauhaus , Digital Creativity, 9:4,207-217, 1998, DOI: 10.1080/14626269808567128. Ecological solutionism hides hard and urgent choices that need to be made and smoothens conflicting interests – turning conflicts into ‘challenges’ and ‘wicked problems’ that can be resolved through better branding and marketing. With this, he wants to return to a ‘polycentric’ organisation (which was destroyed by the Nazis), combining cultural theory with maker workshops that focus on materials – such as (surprise) wood. We can read entire libraries about totalitarian reality of the concrete urban deserts, designed by Le Courbusier clones. From an IT perspective Schnellnhuber wooden fetish marks an interesting ‘post-digital’ turn (and let’s talk about the latest invention of fluid wood here as well). The difference is this Industry 4.0 dream that originated partly in German policy documents, tied in with a certain Make Germany Great Again idea of a modular, AI powered industry—now scaled up to the European level. [2] See: Loes Bogers & Letizia Chiappini (ed. For which he is already trying to find sponsoring, by the way. Today, the European Union sees a chance to create a new common aesthetic born out of a need to renovate and construct more energy-efficient buildings. Quotes delayed at least 15 minutes. How can Bauhaus 2.0 sabotage the start-up logic of scaling up, selling out and creating new monopolies? This is the material turn in digital culture (and vice versa). Perhaps Ms von der Leyen’s “new Bauhaus” can give that abstract idea the tangible look and feel it so sorely needs. [9] https://www.politico.eu/article/bauhaus-von-der-leyen-green-recycle/. We need to understand the political momentum currently providing a context of urgency to found a network of experimental interdisciplinary ‘green deal’ art schools. 05:25 Actualitzat Dilluns, 26 d'octubre de 2020. FORTUNE may receive compensation for some links to products and services on this website. It also largely failed at addressing the materiality of the digital on multiple levels, concerning the precarious conditions of digital labour and the need to build your own infrastructures.” In the current climate urgency debates we see a similar danger of instrumental approach of both arts and IT as fixed disciplines that are now required to serve and cater to the greater good—without being questioned or further developed themselves. This initiative of Migrant 2 Migrant (M2M), Radio Patapoe and Stichting Hulpkaravaan aims to bolster the communication capacity of refugees, to make their voices heard and create [...], Download as PDF Sad By Design, Remixed We Are Not Sick is proud to announce the availability for immediate remixing of all source material from their album Sad By Design at the Internet Archive. We need new beginnings. This is shaping the world we want to live in. “When done properly, the cause of contributing to a better world will spark and harness optimism, enthusiasm and idealism from professionals and citizens alike – not just for the energy transition but also for tackling the ills of the present economy. Brussels wants to embrace the art school's experimental approach in fight against climate change. Whether architects, urban planners and circular economy experts need such a green deal art school is something that needs to be discussed. Quite the opposite. That’s privacy-by-design. This is a time of federated networks, inclusive code and public cables with the aim to support free cooperation between a multitude of players. Their objective was to democratize the experience of aesthetics and design through affordable commodity objects for the masses. [1] Conversation between Adrienne Goehler and John Schnellhuber, in: Adrienne Goehler, Nachhaltigkeit usw., Parthas Verlag, Berlin, 2020, p. 337-338 (thanks to Florian Schneider). 5 months ago 1news.info . What will students make of such an Extinction Vorkurs? Design and development by Roberto Picerno & Silvio Lorusso. of Silvio Lorusso), The critique that the historical Bauhaus wasn’t green, excluded women and did not make explicit post-colonial statements are easy to make. Die Europäische Kommission hat heute (Montag) die Gestaltungsphase der Initiative „Ein neues Europäisches Bauhaus“ eingeleitet, die Präsidentin von der Leyen in ihrer Rede zur Lage der Union 2020 angestoßen hatte. This includes the audio stems of each song, allowing the complete remixing using any element from the original edition. By now, we know whom the Bauhaus movement excluded and why, as well as the underlying philosophical logic that made it so easily adopted by forces that needed these exclusions. What’s important is if we’re able to organise the required multi-disciplinary forces to pull such a network of hybrid schools off the ground with a young, visionary staff, across entire Europe and beyond. The time for master-plans, however inclusive and participatory, is long-gone—nobody has the master-view any longer. A new European Bauhaus | Ursula von der Leyen. [7] Example could be René Kemp and Joost van Haaften’s policy brief, written in response to der Leyen’s Bauhaus proposal. While doing this, we should not get stuck at the level of identity. The European University Institute in Florence, founded in 1972, exclusively focusses on post-graduate teaching and research in the social sciences, excluding the arts and humanities completely. Gansing: “One could say that a thousand digital Bauhauses already emerged. The new Bauhaus is not just an environmental or economic project, “it needs to be a new cultural project for Europe. EU-KOMMISSIONEN // KRONIK – Formanden for Europa-Kommissionen, Ursula von der Leyen, har skrevet en kronik om et nyt, europæisk Bauhaus. Bauhaus, Ikea i la inspiració de Von der Leyen El Nacional / Efe Foto: Mewes Barcelona. Von der Leyen’s green Bauhaus dream 5 min read. EU-Kommissionspräsidentin Ursula von der Leyen will eine „neue Europäische Bauhaus-Bewegung“ anstoßen, um Nachhaltigkeit und Klimaschutz voranzubringen. There is a class perspective here. „Der Kampf gegen den Klimawandel und der Schutz der Umwelt verlangen von uns, dass wir unsere Lebensweise überdenken“, sagte von der Leyen. This art and design school needs to undo a lot of existing structures, provide slippery and uneasy ‘solutions’ as much as new cultural imaginaries and material sustainability.”. The cosmopolitans had to flee for the Nazis and found themselves exiled across the world, spreading progressive concepts. über die Grenzen Europas hinauswachsen und auch die Menschen dort erreichen. K3 was good at breaking the elitism of art education in terms of admission. Und es wird helfen, das 21. Terms & Conditions. Ihr gehe es darum, das Brüsseler Klimaschutzprogramm Green Deal „in den Köpfen der Bürgerinnen und Bürger und auch in ihrem Zuhause Realität werden zu lassen“, sagte von der Leyen weiter. Through such a ‘digitization’ the growing gap between cities and countryside could also be reduced. Market data provided by Interactive Data. Instead of a mechanical implementation of ‘digitalization’ to all contexts, a more topical, tool-centred approach could be developed (one in which digital tools can be put aside once issues are resolved). Von der Leyen will „Bauhaus-Bewegung“ für Nachhaltigkeit. Peter Thiel suggests Bitcoin may be ‘a Chinese financial weapon against the U.S.’, A quarter of U.S. adults are now fully vaccinated. TWEET SHARE Chicago, Tel Aviv, Ascona, Dessau, Kaliningrad. 21 October 2020, 7:01am. © 2020 Fortune Media IP Limited. Contemporary arts can do a better than merely being a motor of gentrification of creative ‘smart cities’, in which real-estate is the only game in town. Instead of data protection we can argue for data prevention. Ursula von der Leyen, president of the European Commission, discusses the Green Deal in her State of the Union address on Sept. 16. También puedes leer en República Inmobiliaria: Long live digital materialism! 18.10.2020 08.19 18. If a COVID-19 vaccine does turn out to be dangerous, who’s on the hook? EU president Ursula von der Leyen wants Europe to tap into its inner avant-garde. This is the courage we wish for when we dream of a 21st century art and design education that, while facing our urgencies, dares to question, and dares to make a difference. What von der Leyen implicitly suggests here, is that Europeans need to come up with a new institutional form that can steer the ecological and digital challenges. Most importantly, we should never forget why it failed to be a become the truly democratic artistic force it proposed itself to be. The Bauhaus school was hugely influential on modern design. Rather it seems more like an acceleration of the already largely failed late 1990’s model. In der dritten und damit letzten Projektphase soll es schließlich um die Verbreitung der neu entwickelten Ideen gehen, denn laut von der Leyen soll das Europäische Bauhaus nicht nur innerhalb Europas entstehen, sondern Menschen auf der ganzen Welt begeistern. But many of the same traps seem to be there, subordinating art to be the supplier of the right values and aesthetics rather than a force of change in and of itself, and here I’m not necessarily speaking of art with a big A but already about artists working in transdisciplinary ways and outside of the art market as well as the contemporary art world.”, The hard work of deconstruction will have to be recognized as an ongoing part of design and art education. In der Gestaltungsphase soll nun das Konzept der Initiative entstehen. Existing national art academies, design schools, technical universities and humanities departments have so far failed to come up with such a transnational concept. This approach collides with the secrecy of the patent-based science approach and copyright-centric forms of knowledge production. A new cultural project, called "New European Bauhaus", was initiated to embrace a circular economy and strength the EU’s actions for sustainability, environmental and social benefits in the architecture, urbanism, engineering, arts and design sector by the president of the European Commission Ursula von der Leyen in October 2020. Ursula Von der Leyen The New European Bauhaus is a creative and interdisciplinary initiative, convening a space of encounter to design future ways of living, situated at the crossroads between art, culture, social inclusion, science and technology. EU president Ursula von der Leyen wants Europe to tap into its inner avant-garde. El pasado 16 de septiembre del 2020, la presidenta de la comisión europea Úrsula Van der Leyen, pronunciaba por primera vez en su discurso …
In Der Weihnachtsbäckerei Text Pdf,
Neuadel Aus Blut Und Boden,
Anthroposophischer Kinderarzt Impfen,
Bebauungspläne Landkreis Landsberg Am Lech,
Familienhelfer Ausbildung Caritas,
Volkert Kraeft Wohnort,
Hp Z240 Tower Workstation,
Test Mein Karma,
Braunschweiger Zeitung Nicht Erhalten,
Park Café Bad Rappenau,
Psychologie Braunschweig Nc,